Top row: 08/2010, PX 70 Color Shade, First Flush, Polaroid SX 70.
Middle row: 03/2011, PX 680 Color Shade ß-1 test film, Polaroid 680 SLR.
Bottom row: 02/2012, PX 70 Color Shade Pioneer Edition Beta test film, Polaroid XS 70.

Not to be melodramatic, but my heart broke just a little with Polaroid’s announcement that they were ceasing production of their instant film back in 2008. I stockpiled as much of the 600 film as I could afford. It was a crazy times. Rumours abounded with where and for how much and the internet would descend, or at least the passionate few who saw the end times of instant film. I still have a few packs of 600 left. Would it be too weird to be buried with one? I’ll have to note that in my will.

From there, everyone seemed to take great pleasure in telling me that they weren’t going to be making “that” film anymore. Even this gentleman:

Me: “May i take your photo?”
Mim: “Sure….. You know, they’re not going to make film for that camera anymore.”

Well, he and everyone else was wrong. The Impossible Project picked up the torch and ran with it. Here’s Anne’s photo of “The lovely men of the factory”, and a few more of where the current film is being made taken last week.

The latest colour film (bottom row) for the SX 70 is simply gorgeous. You should definitely hang onto that Polaroid 600, SX 70 or Spectra camera. Then again, if you don’t want it, you can send it to me.

A glimpse of my 2012 365 tarot project. Otherwise, I’ve started to collect decks. If you happen to have a Victorian Romantic Tarot just laying around, I’d be happy to take it off your hands. ($250+ on ebay!)

Valentine’s Day has become so loaded with crazy that I decided last year to pull it back and make it more meaningful for me. I created a small edition of “smitten” cards and mailed them to women who had inspired me over the previous year. I’m working another smitten project for this year, though I’m a wee bit behind. I’ll share the results of my labour.

My challenge to you: it’s never too late to celebrate the women who inspire you. Buy (or craft) a few cards and make their day.

Silver metallic “starburst” with magenta and red type. I <3 Gocco.

Just popped my last pack of Polaroid Viva into the Zip. A gift from the ever fabulous Anne Bowermann, I’m taking the time to smell the chemistry of each photo. If it wasn’t so caustic, I’d dap in on my pulse points. There’s nothing like the aroma of Polaroid peel apart film.

For someone who used to almost break out in hives if I didn’t update my site daily, I’m not sure how it came to be that four months has passed since I last posted here on hchamp.com. It’s not like I haven’t been sharing bits and pieces. I upload photos to Flickr almost daily, blethered on Twitter with some regularity and most recently have fallen in love with Path. But the place that used to be my heart and soul online? Nada. It used to be that our home pages were the one place we had to express ourselves. Now, we’re torn hither and yon across the internet.

I do want to do a better job at documenting some of the projects that I’ve been working on. We’ll see how that works on.

• I’ve completed two more Roktho inspired Plant Pockets. On the left, Black on Grey, 1970. Half black and half grey? That was almost a gimme. Blackish Green Tone on Blue, 1957 (the link is a crappy reproduction, but will give you an idea) was a wee bit more difficult. I’m still trying to figure out how to render the image. Do I want to try and include the top bottom and sides of the painting, or simply reduce it to the bars of colour? On the right, you can see that I included the blue surround of the painting in the ties and stitches. While it might be somewhat more “correct”, it just looks messy to me. As with the pocket creation itself, I’ll work through a few more versions until I settle on what pleases me the most. It will be interesting to see how they all look when planted. I should find a place to hang them with small gallery information tags.

• Tonight’s the last of three crochet classes at Imagiknit in the Castro. While YouTube videos have been fabulous in filling in missing bits for my knitting, I couldn’t get the hang of crochet. I was somewhat worried that my left-handedness would prove to be my undoing, but the small class size and Judy, our fabulous instructor, has made the experience both rewarding and enjoyable. We’re making granny squares tonight, so please prepare yourself for granny squared round rocks at some point in the not too distant future.

• Derek and I published our Plant Pillow instructions over on Instructables and they were a featured project yesterday. Woot!

• I contributed to the Jocyln Museum’s Yarn Bomb Family Fun day. If I’m not mistaken, that’s my pink bit (herm, that doesn’t sound right) in the 2nd photo top left in the middle of the tree. I’m somewhat disappointed with the number of photos shared of the event, not to mention the fact that I’m linking to FB. I’d love to see more. People, document your events profusely and then over share (esp. if you’re asking for contributions). Everyone will want to see theirs.

Left: postcard of Rothko’s Untitled, 1967.

Once I made my way through the necessary high school fascination with the pre-raphaelites I fell into Rothko and never got up. I was thrilled to discover that my 5K “Random Roktho” entry, circa 2000 is still online.

I was able to knit the above with available yarn in my moderate stash and my homage to “Untitled (Black on Grey)” is almost done. There’s more to come thanks to a bit of an appalling online shopping binge for more “Rothko” colours. Onward!

The Plant Pillow is a slight variation on the open top Plant Pocket. In this version, the front and back are the same length with window where you’ll insert a few succulent cuttings.

WHAT YOU’LL NEED

• Yarn — I decided to use acrylic yarn for our plant pillows. Given how damp San Francisco can be, I wanted something that would be less likely to rot. For this pillow, I’ve used Red Heart Blue Tones Super Saver Economy Yarn.
• Needles — Size 8 US. I have both bamboo and plastic needles in this size and I’ve found the plastic ones easier to knit with the Red Heart yarn.
• Darning or tapestry needle
• Scissors
• Soil — we used succulent potting mix.
• Plants — three or four succulent cuttings.
• Rooting powder (optional) — makes for happy plants.

LET’S START

1. Cast on 17 stitches, leaving a tail of yarn that you’ll weave in. (The final pillow will be approx. 4 inches wide.)
2. The main body of the pillow is stockinette stitch. Knit the 1st row and then purl the 2nd row. Repeat this until you have 32 rows. I like to mark the 24th row with a stitch counter marker as this will be where we make the bottom fold in step no. 7.
3. We’ll start creating the window on the 33rd row. Knit 5 stitches, purl the next 7, and then knit the last 5 stitches. On the next row, purl 5 stitches, knit 7, and then purl the last 5 stitches. Repeat this for a total of 8 rows. You’ll see your “window” being created.




This is the backside of the pillow.

4. Return to stockinette stitch for the last 6 rows.
5. Cast off — you’re done knitting the body of your plant pillow. Woot!
6. Use the darning needle to weave the casting on and off ends into the purl side of the pillow. It’s best to run them down the inside edge of the pillow so it won’t be too visible in the finished pillow.



7. The next step involves creating the bottom tie. Cut 6 pieces of yarn that are approx. 30 inches long. You can adjust the length of the ties to be longer or shorter if you know the circumference of where you’re going to tie your plant pillow. Put three pieces of the yarn aside for the top tie. Take the body of the plant pillow that you knit in the first step and fold it with the purl side inwards — this should be the 24th row. Take one of the pieces of the yarn and thread the darning needle. You want to loosely stitch three of the pieces of yarns through the width of the body pillow at the bottom fold. You can use the stitches themselves if you want an even look — I weave the yarn in and out every two stitches. Once you’ve tied the knot, you can clip the lose ends for a cleaner look.



8. Make sure that you’ve got even “tails” of yarn on either side. Braid the three pieces of yarn together on either side and secure the ends with a tight knot. I’ve found that it helps to put something heavy on the plant pillow to hold it in place while I braid.



9. We’ll stitch the sides next. Cut a length of yarn and make a big knot on one end. Thread the yarn through your needle and push the darning needle through from the inside to the outside, starting from the base of the pillow where you created the bottom tie. Holding the pieces together stitch the front to the back moving up towards the top of the pillow. If you want a tidier look, you can use the rows of yarn as your guide, creating a stitch at every row. Repeat this step, sewing the other side of the pillow.



10. We’ll use the three remaining lengths of yarn that you cut previously to create the top tie. You’ll weave the three lengths through the back flap and then braid the extra length on either side as in step no. 7.
11. Fill the pillow with succulent mix.



12. Take another length of the yarn and stitch the top of the pillow closed. I use the stitches as a guide for an even look.



13. The pillow’s complete and ready for planting.

Check out Derek’s post on Plantgasm for the next steps to complete your Plant Pillow.

I’m not sure if this is the first (and maybe the last) in a series of pockets inspired by art, but I’ve long been a fan of Robert Indiana’s LOVE painting and sculptures.

Here’s the original stitching chart for the text:

I’d initially worked out the text on a 20 x 24 grid, but found that there were only 18 usable stitches across, hence the arrow and small changes noted on the chart. The chart also calls for background colours that are more like the Indiana’s original painting, but given my recent adventures in intarsia, I decided to go an easier route for my initial adventure.

The yarn that I used was repurposed from a very ugly hat I’d made years ago when Claire first taught me to knit. It looks very much like Red Heart Super Saver Economy Yarn Banana Berry. LOVE was crafted with Red Heart Classic Cherry Red.

Once the body of the pocket was finished, the letters were created in duplicate stitch and then stitched over again with small horizontal stitches. I realized that the letters weren’t looking as strong as I wanted, so I added a second column of stitches to the stem and beaks of the “L” and the “E”. I also added added additional stitches to the left stem of the “O” and the “V”. Does that all make sense?

I think I’m going to try and create a second with the solid blue and green colour blocks. If you’d like to make your own “LOVE” plant pocket, you can find instructions for the pocket over here. Cast on 20 stitches for the width and the “front” portion of the pocket should be at least 24 rows.

Here’s the revised chart:

It was only a matter of time before crafting words on plant pockets became something I wanted to try. After a few online searches, intarsia seemed to be a likely candidate. Boy, was I wrong as I embarked on knitting well above my grade level. I’m still very much a novice and I found myself caught well into the weeds of tangled bobbins of colours and sloppy stitches.

After graphing out the design for each letter, I decided to begin with the “o” in “grow” — as set of four pockets that we’d like to hang on the fence that surrounds the Hayes Valley Farm. “O” seemed a good place to start being rather simple in form, well, simpler than the “r” or the “w”. After completing two of the pockets with intarsiain, I realized that they just weren’t working out the way that I wanted.

Intarsia detail on the letter “O”

Julie came to my rescue tweeting about duplicate stitching, and I completed the two remaining pockets this way. There were gaps between the duplicate stitches so I went over the black with additional black yarn. I think that the pockets themselves will be more robust — the intarsia pockets don’t feel like they have the same structural integrity as a pocket that’s knitted from one continuous string of yarn. It could be that my lack of knitting experience is more to blame and perhaps when I’m more experienced, I’ll try again.

Duplicate stitching detail on the letter “G”

In the end, I think the pockets will come together once planted. I can definitely see a difference in the knitting between the four. The “g” was knitted and stitched last, and it’s the winner.